Whenever I conducted my writing workshops in corporate America, retirement homes or elementary schools, I repeated over and over again a piece of wisdom I wanted my participants to never forget: “The two most important words in the English language next to the words, ‘I’m sorry,’ are the words, ‘Thank you.'”
The power of these two words was resurrected for me last week after I wrote an email to Mark St. Germain, a playwright who wrote, “Magdalene,” one of five plays featured this summer at the Contemporary American Theater Festival (CATF) in Shepherdstown, West Virginia.

Here is CATF’s synopsis of the play: “Eighteen years after the crucifixion, Peter reconnects with the banished Mary Magdalene. After casting her out, he now seeks her advice and counsel. Questions erupt as they recall different versions of Jesus, His miracles, and His wisdom for the faith. Whose memories are closest to the truth? Whose secrets are revealed? Whose stories will stand the test of time?”

I loved the play so much that I sent a “thank you” email to Mark St. Germain:
I wanted you to know that Adrienne and I saw your play this past Saturday at noon. It was masterful on several levels. First the actors were superb, both were incredibly believable, and yes, I nominate Sam Morales who played Mary, for Pope or President or some position where she can continue to inspire us all to sit up and think. Or kick ass. Preferably both.
Much of this, of course, has to do with your script. It is one thing to read it, and another to hear and see it. The dialogue was completely believable and intelligent. I have been inspired to revisit both the biblical and gnostic gospels — I hope you consider this a good thing. I heard other audience members say that they planned to do the same thing. Speaking of the audience — it was attentive and stimulated and instantaneously gave a standing ovation at the end.
The ending, oh, the ending! I can’t stop seeing the ending . . . instant tears and empowerment. Adrienne and I were sitting in the front row in Section 3 and when Sam Morales bowed in my direction at the end, we locked eyes (I had been crying) and I bowed and mouthed, “Thank you.” Sam had tears in her eyes. It may not have been in response to me, but it is a theater moment that I will never forget.
Hand on heart, every time since then after I turn off my bedside light and close my eyes, I see — and hear — Mary lifting the gold Goblet. So powerful. So healing.
Thank you for your thoughtful and thought-full artistry in “Magdalene.”
Unforgettable.

I received a lovely response from Mark St. Germain who took the liberty of forwarding my email to Sam Morales, the actress who played Mary Magdalene. This was her response:
“I am completely speechless. I remember the exact moment she mentioned – and my tears were in response to her gratitude. I was so touched to see someone so moved and then to have them mouth “thank you” is something I will never forget.”
Now I was completely speechless . . . and grateful that I had taken a moment to mouth, “Thank you.” The rippling effect has been priceless, and to quote Mary Magdalene, according to Mary Magdalene Revealed, “I fall in love with hearts, with a person’s wild (usually broken) open heart.” Last week, two women momentarily fell in love with another’s wild (usually broken) open hearts. I was one of those women, and to all my beloveds and their wild (usually broken) open hearts — I extend a deep bow and endless thank you’s.

Every year, I interview the CATF playwrights. Here is the link to the interview I did with Mark St. Germain in May about his play, “Magdalene”:
https://catf.org/interview-with-playwright-mark-st-germain/?dm_i=57D8,PHSF,3CEX6U,31775,1
Thank you for writing about your experience. It is soooo you. And thanks for linking to your interview. I want to go back and re-read that. You have a life time of experience to arrive at the point where you can say “Thank you.” Bravo you.
Deep bow and endless bless you’s, Charlotte. My lifetime of experience includes YOU for which I am forever grateful. xoxo
Yes, I wasn’t sure what to expect prior to seeing this play. As Sharon notes the dialog was very believable and natural.
Audience members lingered in the theater or carried on their conversations as they left. Definitely a play that caused people to discuss. Always a sign of a good play; it creates conversation.
This is the second time Sam Morales has performed at CATF. (The other was for a play named House on the Hill.) I hope to see her back at CATF, because she very skilled.
Thanks for adding these details, Adrienne. Having read the play several times to prepare for my interview with the playwright, I wasn’t sure what to expect. But the play and the actors, particularly Sam Morales, surpassed my expectations.
Beautiful experience of the power of “thank you.” What a lovely moment for you. You know I had some difficulties with things in the script when I read it, but nevertheless, I say a big “thank you” to you for your “thank you” to Sam and for sharing this powerful moment with us.
Thank YOU, Carol. It is one thing to read a play; another to see it. In the past, the CATF plays that didn’t “read” well for me, also did not “play” particularly well. This play was an exception. Thanks, too, for recognizing the power of this moment.❤️🙏
It is clear that those of us who were not with you at the performance missed something special. Thank you for sharing it with us here and for reminding us of the power and preciousness of the expression of gratitude.
You would have loved this play, Beth. Mary would have fit right in with the Alley Cats! xoxo